My challenge as a jewelry maker is remembering that sometimes my materials can speak for themselves.  I can get so caught up in the challenge of folding something fabulous or winding wire into interesting shapes that sometimes I forget that just showing the paper is all that’s really necessary.

I finally remembered that this week, and decided to try a few simple styles with my most beautiful chiyogami in simple basic frames.

The frames came from Fusion Beads, my favorite source for collage and resin blanks.  I tried antiqued silver and brass for this project, because I think the aged look sets off the organic, exotic feel of the Japanese paper beautifully.

The paper is my best and favorite–in glorious shades of teal and turquoise, orange and yellow, and iridescent silver and gold (a one of a kind paper that i’ve never seen outside the shop in Asakusabashi where i found it last summer).

The biggest challenge is, for me, always the resin.  I know there are loads of crafters out there making all kinds of gorgeous things with resin, but for me, it’s torture.  I make 4 things before 1 works.  It’s a nightmare.  But then, when it works, it’s gorgeous!  What to do?  it’s a conundrum.

Well, at least til I found Magic Glos, a UV-curing resin.  One part, so no mixing, and a 30 minute cure under a UV light (or sunlight) instead of 3 miserable days with resin.  For ADHD jewelry makers like me, this is a godsend.  Here it is on brass.  What do you think?

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